Real-world religions are oddly absent from games. Whether it’s through fear or complacency, the mainstream part of our industry careful sidesteps controversy. If religion enters at all, it’s used as in God of War or El Shaddai, as a theme to be mined. Similarly, the liberal bent of most indies means that religion isn’t a huge part of their lives and hence rarely enters into their games.
Knolek SunEater has really lived. He’s stood on mountaintops sucking up the lightning just because he could. He’s battled dragons and served the lords of Chaos since time immemorial. He’s twenty feet tall with six scaly limbs and electricity crackling from his eyes. He’s totally, totally what Warhammer Fantasy Battle is all about. But it
“A Midsummer Night’s Dream follows the adventures of some fairies, some peasant actors attempting to put on a romantic play that’s a bit like a rubbish Romeo & Juliet, some star-crossed aristocrats who all drink love potions, and, for some reason, Theseus and Hippolyta. That makes it a hodge-podge of Greek myth, contemporary satire, romantic
Battlefleet Gothic gets so much right. The campaign’s story, script, voice acting and appearance is all spot-on for the 40K universe. The 2D battles are challenging and interesting, if still quite unbalanced. The RPG elements are horribly compelling. And its detailed, nebula-filled universe brings the tiny tabletop models to life—before they’re blown into thousands of pieces.
Dark Souls 3 returns the player to the series’ grim world, again tackling the endless problems of the undead peoples of Lothric. Your task this time, as an undead hero, is to defeat the corrupted Lords of Cinder and return them to the throne room that now sits inside the Firelink Shrine. It’s an unusually